This is Anne Truitt on April 7, 2001. Today is April 7, 2026.
two types of light in studio recently: bounce-light! and friend-light! If you are in Santa Fe consider joining @utako_shizi today for a one-day exhibition with her new pieces from Japan @5.gallery
This is Anne Truitt on March 31, 2001. Today is March 31, 2026. (with Peter Fischli and David Weiss “The Way Things Go” 1985-87 Video BAMPFA)
This is Anne Truitt on March 25, 2001. Today is March 25, 2026.
This is Anne Truitt on March 24, 2001. Today is March 24, 2026.
as the day closes, wishing you a happy equinox, while also celebrating the birthday of poet Ovid (march 20th 43 b.c.e.). This is Proserpina (roman) Persephone (greek) whose life was determined and divided by her father Jupiter, between living in the
March 16, 2001. Anne Truitt (on her birthday)
March 11, 2001. Anne Truitt.
can you guess what we’re writing down (me and mom sixteen years ago) you’ll never guess
Final two days to see — —Luftwerk “The Sun Standing Still” —Survey Exhibition “Luminous Matter” —Salon Installation “when the East of the day meets the West of the night” @secristbeach 1801
this past weekend we celebrated the release of the very smart, graceful new book—“Alexander Girard’s Imagined Worlds” So grateful to have worked with @thenormalstudio @renatagraw @lucasreif and @hirmer.publishers with @monica_
It’s been an incredible couple of weeks…perhaps I just start here —the blue sky returning to New Mexico from Chicago yesterday— —water caught and wobbling along outer edge of airplane window en route at 35,000ft—
Thank you Dora Maurer (June 11, 1937-February 14, 2026) photo library at the studio, light on Dora Maurer catalog, next to Louis Kahn and Lartigue, and in my photo library on computer, they are here next to an image from space craft, as though I wis
Found an old friend on today’s flight. She’s still a favorite. You can find her in my book Metaphysics (Art History & the Airline Safety Information Card), or look for her on your next flight. (This lineup of seatbelts and open exit
this morning closing the cover on the last page of Michel Tourier‘s “The Ogre” only opens a greater astonishment at the power of writing. I ended up reading it in tandem with Nuar Alsadir’s “Animal Joy”. Master wea