Akira Kurosawa 1960s 日本語: 黒澤明（1960年）キネマ旬報社
Last week’s pop-up book shop featuring speakers’ books and adjacent titles (for example: Tom McCarthy’s The Threshold and The Ledger with copies of Ingeborg Bachmann’s Darkness Speaks collected poems and Bachelard’s The
Anna and Bernhard Blume “Artists’ statement, 1992 The photographic action series Transzendentaler Konstruktivismus (Transcendental Constructivism) shows artists Anna and Bernhard Blume mainly as mediums and victims of involuntary constru
Zaydee’s honey berries/hand in Analogies, he died seven years ago yesterday, today I gave a talk at Synthetic Imagination meeting on “Photography as Theft of Imagination” at the Santa Fe Institute, and the PURPLE ASTERS are off the
JC and Sybil, powerhouse lovebugs behind @hatandbeardpress #nyabf go say hi and get last remaining books, and posters! exciting to see “Art History & The Airline Safety Information Card” from Metaphysics going going….
En route to NY, bringing posters to #nyartbookfair Set of 4, or pick your favorite: DRAPERY; THE HAND; BODIES IN SPACE; WINDOW LIGHT, VIEW ! They come from my book Metaphysics, the appendix of sorts: “ART HISTORY & THE AIRLINE SAFETY INFORM
not exactly a Barbara Probst simultaneity (but close!) Bill and I looking at my book mock-up
here we are twenty years ago, old man gloom is lit on fire, groaning and flailing, burnt to the ground. I don’t know if I’d been back to zozobra since I was a kid, so maybe this was the first time in a while. In 1st or 2nd grade at Agua F
Emmy (monkey squirrel praying mantis rabbit deer dog) looks good in this window light waiting for dinner
Ralph Ellison Photographer
on the ramparts of Stirling Castle a jackdaw bends between Giotto’s freehand red circle and Susan Rothenberg’s “Pink Raven”
windshield reflected sunlight out studio window splashing across the “Watt or Fall” wall
Nicéphore Niépce! Always a thrill to see. But why here? By the end of yesterday’s viewing of Architecton I couldn’t answer. Other than—a photograph of architecture? Or maybe photography being the 2nd largest consumer o
MORINAGA, Jun RIVER, its shadows of shadows. Tokyo, Yugensha / Kazuhiko Motomura, 1978 For a year and a half Morinaga photographed the polluted ditches and rivers in Tokyo. With essays by his mentor, W. Eugene Smith, Miyabi Ichikawa, Seigow Matsuok
two lessons on scale, and consumption— —Little black ant (Monomorium carbonarium) bringing home scavenged large ant feast, Tesuque —Duane Michals’ photographic narrative eternally consuming itself through Carrollesque transf